Dr.
September 16th, 2009 by ghjg Dr. Lai Bai 2
At some of the details of the painting with a somewhat religious in tone. Tree roots drawing the central winding down on the ground seem to touch the head of Christ, here alluding to Isaiah39s prophecy Jesse39s tree that will grow into a branch, and his roots grow into a branches. painting outside the dilapidated stone building is bushy, breaking house is a symbol of painting emerged the Central Standing Committee, alluding to the destruction of the David39s house. The birth of Christ would be to recover the painting to see the image of the workers, they are busy rebuilding the house on the stairs. Clearly belongs to the shape of the stone houses of Florence style, its pillar and arch and the Sanbelmont house similar to the elders, which is following the Baptistery of Florence among the most ancient churches, said it was built in the city39s most well-known Christian martyr also known as Miniato Miniyasi above the graves. And St. Jerome in the emergence balenciaga of new facade similar to the Virgin Mary, which links enhanced visual landscape of Florence, the growth of religious beliefs.
Dr. Lai Bai in all the basic elements of both appear in the paintings, but a very basic element does not appear. Where is Joseph? He is the other Dr. Lai Bai, the painting will take place, the image, but his image in the painting in the very vague. He is the right person group portrait in hand to his forehead, and a look surprised old man beard, or painting into the left-most of the spectators in the contemplation of that person? The answer is likely to be the former, but it is not understandable is that the ancestors could even suggest the identity is unknown, at the edge of the work zone. You may reject the use of psychoanalytic method of interpretation here, but the subject appears too many times, so we can not ignore such a fact Leonardo always out of the St. Joseph outside the family. He did not appear in the Virgin of the Rocks in the scene took place in the way out of Egypt, and should therefore have him, The Virgin and Child with St. Anne is also not seen multiple versions of his figure, the Holy Family in the third members, it is not Christ39s father, was replaced by his grandmother. But you also does not have to borrow Freud39s theory, hard to think that there must be deep inside the psychological trend.
In early 2001, uffici gallery made it clear that cleaning and restoration of the site, Dr. Lai Bai yourself. This move sparked an immediate protest, protesters, led by James Baker is a professor at Columbia University in New York. The painting is too fragile, and its shadow parts and nuances is too complex, its luster from the bottom of the inherent and can not repair. When I say the words uffici gallery of Renaissance art and the director Antonio Aonatali, he used to support restoration of the lobby are most like to use a word - readability. He certainty to be likened to a painting, buried in the ground of the poem. He said If you want to study Petrarch, would you like to see here, the words first, and then to other places to see the words? The answer surely is no. Paintings as well. You want to see the painting all of the scene.
Of course, the painting is indeed the situation is not optimistic. Paintings do not clean the surface covered with a layer of skin This is a glossy surface was generated by the glue, oil paint and resin composition. In the darker areas, these ingredients form a thick layer of brown. Painting in some places due to oxidation has been bleached, or painted on the surface appears smooth fine mesh material, which is broken windshield effect. Opponents of the restoration work on the readability of this idea expressed doubts that this is the author intentionally fuzzy place clear. Alleged, and now a lot of repair work is to cater to modern paintings of the bright fresh taste, want to see the paintings to photographs and electronic imaging as a general definition. Repair work became the museum business interests in order to make a decision, apart from the protection that the work is a result of a commercial speculation purposes. Professor Baker commented The real problem is metaphysical. We really need a hard to make old paintings with a modern style? Clean the painting is like for a 70-year-old to do plastic surgery.
Uffici Museum39s technical department in the museum across the street from the humble yard. Leonardo39s Dr. Lai Bai, placed on the second floor of a small room, the painting flat on the three stand above looks like a large picnic tables. Little room, the walls adorned with white tiles. Room windows are stuck milky white sheet of paper, because the vague light will not produce injury to the results of the paintings. Have a hook on the wall above the Shan, and a feather hanging from a supermarket shopping bags. Here vaguely could smell the smell of chemicals, it is like arriving in hospital laboratories, or veterinary surgeon in the operating room. Prosthetists is always can not help but think of surgery, the painting was thought of as a great and elderly patients. This scenario closer to us with its distance, it seems to put down a shelf in a museum when the noble, flat-lying to wait for someone else39s deal.
Well-known paintings in the art repair companiesSerafin cruise around the back and forth, and my heart how to do intend to forward to the next step. This is the beginning of the process of repair, the controversy on the matter led to the interruption of restoration work. Serra 60 succeed in Pistoia, he stout body, his head neatly trimmed white hair, wearing short-sleeved shirt. He looks like a craftsman, he likes others to treat him. He restored the works of many fake balenciaga artists, such as Paolo Maldini, Duccio, Cimabue, Giotto, Mantegna, Perugino, Raphael and Titian. Serra had just repaired the recent works include Botticelli39s Birth of Venus and Leonardo39s Annunciation. He was here on the Dr. Lai Bai, laughed at the controversy that in any case, the dispute would enable him to spend more time to learn about painting. He said Every time repair is an interpretation of works of art. A painting did not repair any mechanical or general laws. Prosthetists should have the sensitivity, respect and knowledge, and continuously to their own questions, this is the qualified rehabilitation those who should have.
We squat body, from the following look at the back of the drawing board. Sketchpad is a 10 planks at right angles to each bond formed. Horizontal stent may be added in the 17th century to go. Almost the same as the width of the wood, about 9 inches wide, but a narrower wooden stick on the left frame, the painting is probably to increase the size to achieve contract requirements. Deersaila pointed out that the middle of the board has raised, will lead paint surface cracks. The one hand, this problem is due to age-old and air humidity caused by the one hand, five hundred years the forefront of Leonardo to the wood selection. Deersaila graphically in the form of drawing board to explain to me the importance of material selection. To create a drawing board, to the trunk part of the vertical cut, this painting is taken from durable poplar. When cutting the trunk center as close as possible, because tree rings are approximately symmetrical while away from the center where the tree will have to cut some difference. Deersaila recently fixed the Annunciation, he Leonardo39s baptism of Christ is also very familiar with. These two paintings of the drawing board are in excellent condition, as are two works by Verrocchio39s workshop to complete, where high-quality materials are used. And Dr. Lai Bai is an independent creative work, creativity, when Leonardo was also bought on credit from the employer of grain and wine, so he cut a good selection of less expensive wood to cope with an errand. Deersaila added that, at the Leonardo, before Giotto39s teacher Cimabue is also engaged in similar acts, he used the words thin wood, such wood with a carpenter will be abandoned. In short, he is the bits and pieces.
Dr. Lai Bai 3
Deersaila of the painting39s attitude is very relaxed and casual. When we talk, although not his elbow leaning on the drawing board, but the general people feel he will. He used a wet cotton regiment and quickly wipe the right painting look at a small place, there have been vague a cattle and a donkey39s head suddenly became clear that the two heads so easily found.
In the ensuing months to repair things even more complicated. The end of 2001, uffici gallery decided to entrust the works of art diagnosis expert Mauricio Qiao Se rasini technical inspection of the painting. After several months of hard analysis, Serasini come to the conclusion with a sensational effect Dr. Lai Bai was added to the several parts of red-brown, not from Leonardo39s hands. This conclusion comes from a tiny paint samples microscope cross-section of the results of the analysis of samples from the paint surface, there is only millionths of a meter thick layer of mystery. He observed that in almost every cross-section, he found that the top layer of the brown pigment that has penetrated below a layer of color. Brown pigments in the paint when the surface of the original paint has emerged a number of cracks, cracks big enough to brown the wet paint into it. Serasini that the crux of the matter is that only a fairly long period of time, perhaps fifty years to a hundred years later, paint surface cracks will appear. Therefore, the top layer of paint in Leonardo39s death from an unknown artist painted, who Anonymous was modified in accordance with the standard operation of the paintings.
Since the introduction of his evidence Serasini date, his explanation has been called into question. In the face of a new round of controversy, uffici gallery repair work would be wise to quietly aside. Dr. Lai Bai is now once again been hanging on uffici museum exhibition of Leonardo. Despite the controversy continues, but the painting on the dirt and mystery are still the same.
Leonardo painting in Florence created by unfinished masterpiece to make people more profound insight into his psychology, his work, he and Florence, the symbols of Christianity39s handling of the traditional imagery, and his power of this theory and the vortex movement of extraordinary sensibility. In addition, the painting there are other information to tell us the far right in the painting stands a tall young man dressed in robes, almost certainly he was 29 years old when Leonardo39s self-portraits.
Renaissance self-portrait of the problem is very complicated, because the visual image is not necessarily accurate, but we know that the 15th century Italian artists, often with art groups, like the time to join a self-portrait, the general is the author painted to look outside of painting, see that their own In his fictional creation of the real world scene and the viewer to play the role of intermediaries between. In some works, it is easy to find the author39s self-portraits, such as Gozzoli39s Doctor39s Journey , the author drew a crowd of people looked out, in order to easily identify the authors also describe the man39s hat on under his own name. Most of the time, people are guessing to be identified, or draw inferences at the time of identification. Vasari39s well-known painter, sculptor and architectural well-known, the second edition of the role played decorative woodcut portrait of the artist which is by the German engraver Chris Tuofu Ke Liao rano carved in accordance with the requirements of Vasari is a clear example. For example, from Masaccio39s wooden portrayal can be clearly seen in the Brancazi Vasari that Masaccio39s frescoes in the chapel tribute money goes on in dark, glum face is his self-portraits. This world has basically been accepted, but Vasari also wrong time. He Andrea adelphi Lense in the new Church of the Virgin Mary painted by the Carnival of the church in an image as a model drawn portrait of Cimabue, but the people in paintings who wore Jia Dexun bit badge, is almost certainly a visit to Italy, the British.
First accustomed to painting with a self-portrait painter Feiliboli than the monk, in the babai Deli altar paintings of people look to the outside of painting, who is his, the painting was originally placed in the Church of the Holy Spirit is hidden in the Louvre. The painting was in 1437, painted in the Libbi in his early thirties. Upon completion in 1447 of Our Lady of the coronation ceremony , he has accordingly old teen, in the paintings in the 5039s St. Stephen39s martyrdom of their old and a teen, the painting hidden in Prato Cathedral. In these paintings, he is a moon-faced monk, dark, prominent ears, a bit funny. His ears have become a kind of symbol, becoming a major feature of his appearance. Spoleto Cathedral in his grave on the carved head, he was on the jug ears, which is very obvious. The head was placed on his grave at about 1490 on, when the distance of Libby39s death for 20 years, but his pair of big ears, but will always remain in people39s memory.